"The understanding of a culture comes from hearing the language, tasting the food, seeing personal interactions, experiencing the traditions, and so much more in context."

— Elizabeth Laval & Candice Pendergrass, Sikh Youth Public History Project

"The understanding of a culture comes from hearing the language, tasting the food, seeing personal interactions, experiencing the traditions, and so much more when it is in context."

— Elizabeth Laval & Candice Pendergrass, Sikh Youth Public History Project

United We Stand

United We Stand logo text in blue, purple and dark red

United We Stand: Connecting Through Culture

The frequency of hate crimes against racial groups in the United States is alarming and threatens the fundamental ideals of democracy. Hate crimes have increased by 80% since 2015, according to FBI records, with 2021 reaching record levels. FBI data also shows that hate crimes against racial groups spike in an “unmistakable pattern” around the same time as general elections. With the much-anticipated 2024 elections on the horizon, California Humanities will participate in United We Stand: Connecting Through Culture, a joint initiative of the National Endowment for the Humanities (NEH) and the National Endowment for the Arts (NEA) that leverages the arts and humanities to combat hate-motivated violence.  

In collaboration with Zócalo Public Square, a nonprofit that hosts national public forums, California Humanities will use public presentation and civic dialogue to combat hate through a series of four programs that foster understanding, empathy, and resilience. The series will use the humanities to demonstrate intercultural connection and recognition of shared values to strengthen mutual understanding and foster the spirit of democracy. Titled What Connects Us, Resilience Against Hate, council staff will collaborate closely with team at Zócalo to shape the content of the series, select speakers, moderators, and panelists and to tailor each event to the core themes of the United We Stand initiative.

As a majority minority state, California encompasses diverse cultural traditions and perspectives. In that spirit, we must combat hate-based violence and extremism through the humanities, which play a critical role in developing empathy and strengthening respect and mutual understanding by connecting us through stories and shared experiences. California Humanities views its participation in this national conversation, in collaboration with Zócalo Public Square, as an important initiative to advance equity and help dismantle social and cultural oppression.

Programs

Recording courtesy of Zócalo Public Square on YouTube.

Tuesday, July 16, 2024 | 6:30 pm PT | UCR ARTS, Riverside, CA 

RIVERSIDE—In the 1920s, Southern California’s Inland Empire was a bucolic place, dotted with small towns set amid orange groves. It was also a growing outpost for the Ku Klux Klan, whose members subjected the region’s minority residents to exclusion, harassment, and violence in following decades. Today, antisemitic, anti-Muslim, anti-Black, anti-Latino, anti-Asian, and anti-LGBTQ movements persist, with hate crimes again on the rise, alongside a new generation of domestic extremist groups.

The Inland Empire exemplifies an ongoing tension between hate and resistance, harboring grassroots movements that have banned lessons about race in public schools at the same time as it celebrates the opening of the Cheech Marin Center for Chicano Art & Culture. This duality makes the region a perfect place to grapple with the history of hate in California, and understand past and present efforts to strike back and fight for justice. Can the region’s battles against discrimination chart a path forward for the rest of the state, and nation?

Zócalo and California Humanities welcome California State Assemblymember Corey A. Jackson, Mapping Black California project director Candice Mays, and ACLU SoCal Senior Policy Advocate and Organizer Luis Nolasco to discuss hate’s impact on the Inland Empire, and highlight efforts to resist.

Do We Need More Food Fights? from Zócalo Public Square on Vimeo.

Presented in partnership with LA Cocina de Gloria Molina

Thursday September 14, 2023 | La Plaza Cocina 

We know cooking best as an act of nourishment, love, and tradition—but it can also cut as sharply as the knives that chop an onion. In Sinaloa, Mexico, a group of relatives of desaparecidos (the tens of thousands of people who have disappeared from the country), have banded together to fight back against government indifference and complicity. Dubbed Las Rastreadoras del Fuerte, the members’ main method of resistance is to search for the bodies of those they love. But they have also brought their battle to the kitchen, where they cook missing family members’ favorite dishes, preserving their memories and reminding the world of the void their absences create. What makes feeding people an act of protest? How do the families of the disappeared continue to find communion, hope, and joy at the table? And where else can cooking be a potent weapon in the face of a fight that feels never-ending?

An exhibition based on Recetario para la memoria, a cookbook that collects recipes and remembrances from these families in collaboration with photographer and creator Zahara Gómez Lucini, is currently on view at LA Cocina de Gloria Molina, a first-of-its-kind museum dedicated to Mexican gastronomy. Zócalo and LA Cocina host Gómez Lucini and culinary historian and Hungry for History podcast co-host Maite Gomez-Rejón to cook pozole in the museum’s demonstration kitchen and discuss what happens when the kitchen becomes a battleground. Afterward, Pez Cantina will cater a reception using the cookbook’s recipes for pozole, mole, and flan. Zócalo and LA Cocina will send online participants the recipe in advance so they can prepare pozole at home.

Location: La Plaza de Cultura y Arte | 501 N Main Street, Los Angeles, CA 90012 (with livestream)

 
Presented in partnership with The Kinsey African American Art & History Collection at SoFi Stadium Hollywood Park
 
Thursday, March 28, 2024 | 6-9 pm PT
Location: SoFi Stadium Hollywood Park, 1001 S. Stadium Drive, Inglewood CA 90301 | with accompanying livestream
 

In February 2022, SoFi Stadium marked two milestones. The first was hosting the Los Angeles Rams’ home field victory in Super Bowl LVI. The second was opening an exhibition of the Kinsey African American Art & History Collection. En route to the bathroom or on a beer run, visitors to the stadium’s second level may find themselves taken off guard by letters from Martin Luther King Jr. and Malcolm X, photographs of LA’s early-20th-century Black firefighters, formal portraits of 19th-century Black men and women, and works by major Black artists.

What does it mean to juxtapose this experience with watching professional football players—over 50% of whom are Black—go to battle on the turf below? What have the Kinseys chosen to display, and why at SoFi? And how are other people and organizations, in fields from fine art to poetry, using Black narratives to inform and enrich our understanding of history and contemporary life in unexpected ways?

Artist and Bloom & Plume founder Maurice Harris, sports agent and former NFL player Jacques McClendon, and poet, lyricist, and activist aja monet visit Zócalo and Kinsey Collection at SoFi Stadium to discuss what one of the world’s largest private collections of Black art and historical objects is doing at one of the world’s grandest football stadiums, why it matters, and where similar efforts are scoring big.

6 PM: In-person audience members are invited for a last, best chance to join a guided tour of the Kinsey exhibition, which leaves SoFi at the end of March

7 PM: Conversation, in-person and online

8 PM: In-person audience members are invited to join us for a reception with a DJ and complimentary food and beverages

Promo graphic for partner program with Zocalo Public Square and Kinsey Collection at SoFi Stadium, March 28, 2024

Presented in partnership with Destination Crenshaw
 
Stay tuned for more details and registration information!
 
All too often, ambitious urban improvement plans turn communities into collateral damage, destroying homes and businesses in the name of progress. But when L.A.’s transportation agency announced plans to extend its airport-bound train line through the vaunted and historically Black Crenshaw neighborhood—upending it, and bypassing it—the community struck back with a development plan of their own: insist on stops to serve residents, and create public art parks along the train’s path to celebrate Black cultural permanence and revitalize the neighborhood for its existing residents. Our program will explore the questions raised by this urban resistance with a variety of guest speakers, who will consider: Can redevelopment be a catalyst for infrastructure justice to resist gentrification and preserve culture, for Destination Crenshaw and Black L.A., and for other communities? Can new construction fuel old social cohesion? And how does Destination Crenshaw represent the continuation of the Harlem Renaissance, situating Los Angeles as the new Black cultural mecca? 
 
Location: Destination Crenshaw, Sankofa Park, Los Angeles, California

50th Anniversary Experiences

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